Miss Moss Schiffchen Caps in Russian Boutique
Here are some of Miss Moss ‘Schiffchen’ cap designs available to buy from “Peep Show Room” based in Moscow, Russia!
Also available at: www.etsy.com/shop/MissMossCompany
Flapper photo shoot at Wintergarten, Berlin
Here are the images from the latest photo shoot of the 20s dress, which will the dress I’ll be teaching how to make on Saturday 17th September at Linkle Nähinstitut at Moritzplatz! The photos were taken at the gorgeous Wintergarten in Berlin. Photography by Steve Braun, model Josepha Yasumi Kremke and make and hair by Johanna Blackstone. The dress is made from a beautiful black silk cotton mix with black fringing, perfect for dancing the Charleston to at the next Boheme Sauvage party in Berlin, Hamburg or Cologne!
Recreating the past
Years ago when my Corset obsession was beginning to really take off I went to the Victoria and Albert museum in London and I saw a beautiful fuchsia pink Corset with a black lace trim and a pink ribbon finishing. On a more recent visit to the V&A museum I unfortunately did not see the corset as the exhibitions change frequently but I re-looked it up in a book I bought from the Museum and I found it again. I decided to recreate this corset but with my own modern flair!
Above is the image of the Corset that is part of the fascinating historical costume collection at the V&A. Its dated from about 1885-1895. It is French and the shape is classic for the end of the 19th century. The steel busk which fasten the corset at the centre front came into popular use around the 1850′s making it much easier for the wearer to get herself into her own corset without as much assistance of others, but help was still needed.
Before the 1880s white cotton or linen were used for “respectable women”. The corsets of this period didn’t have much decoration to them as they were used as a tool to mould the female body to the desired ideal at the time. Bolder colours were used by prostitutes and women of “looser morals” However after the 1880s, thanks to the industrial revolution the corset trade really began to change and develop and more materials were starting to become available and a larger range of fabrics such as coloured silks, satin or silk broche so the colour of the Corset above was typical towards the end of the century with lots of decoration and elegant laces.
With this elegant historical design as my inspiration and after researching fabrics I found some beautifully bright fuchsia pink silk from a my local little fabric shop in Italy, I had some black lace sent from England and I started working on my own design. However the lining I made from black and white polka dot fabric, just to add a more modern feel to the design! I organised a photo shoot with the photographer Steve Braun and the fabulous model Lydia. It was Lydia’s first time at modelling but she was a complete natural and the photos turned out really nice! Although Lydia does not have a super tiny waist of the women from the Victorian era, I am still happy with the results of a modern day corset for a modern woman. We do not need to lace up super tight like the corsets of the past. The women we see in the old images who have super tiny waists are showing off their social status and their husbands wealth and role in society. The smaller the woman’s waist showed that she simply could not do much and this helped the image men saw women as the “weaker sex”. It was not up until the end of the first world war in 1918 that women were really showing they had a voice, they had proven they could take over the men’s jobs in the factories to help with the war effort and to be seen as equals.
I am glad that today we have a right to choose what we wear and if we want to wear a corset or not. I think, even now, it is still seen as a sexual symbol and I think it will always stay that way but it is our choice to show ourselves in whatever way we please, tight laced or not and not just to satisfy the taste of a possible future husband!
Berlin, fashion, magazine articles & new corset course!!
Finally I have moved back to Berlin after living in Italy for almost a year! The experience of Bella Italia was wonderful and managed to travel quite a lot around the country and soak in as much of the art, architecture and culture as possible. I have to say that the Fashion, especially in Rome was a lot different to the fashion in Berlin (as I am sure everyone is aware of!) Everything here is so much more relaxed, with people’s attitudes and the way they want to represent themselves by their clothes and hair styles. In Italy I found at times people would stop with mouths wide open, staring and pointing at me because of my pink hair and way I dress but in Berlin I am just one among the many individuals who come to Berlin to get involved in this thriving city! I have to say…I am happy to be home!
Above is a photograph of the 5 dresses that I made for Atelier Pietro Longhi…they took me a long time to complete as there were a lot of small details and I had to work on 5 all in one go, but I finished them! I am only just seeing the image for the first time now and it is from a performance at a masked ball in Venice last February.
I recently had an article written about my work in a Berlin magazine called Exberliner by journalist Jessica Saltz, which I was very happy with! It is the first article written about my label Miss Moss.
“Gemma’s bright pink hair suggests modern sartorial influences, but her devotion to corsetry was born from a love of historical fashion, from Marie Antoinette to the Victorian corset to Christians Dior’s “New Look” in the 1950′s…”
“Her passion for the craft recently led her to Italy. Where she worked on historical costumes for Venice’s Atelier Pietro Longhi for four months. The corsets that Gemma creates are not meant to be worn under anything but are timeless, beautifully constructed pieces that will last forever. So why not make your own?”
I have been doing some more research on Vivienne Westwood as I visited London a few months ago and ventured into a regular haunt for me when I am in “The old smoke”…The Victoria and Albert museum. What I love about Vivienne Westwood’s work is that she is so inspired by historical costume and tailoring but she came up with a completely new fashion “Punk” which paved the way for her fantastic career in fashion! To come up with an new fabulous, unique idea is hard but I believe if you have the right creativeness in your spirt you can be your own pioneer!
She was also the first to bring to corset as “outer wear”. Usually when we think of the corset in the 80′s or 90′s Jean Paul Gautier’s corset for Madonna’s Blonde Ambition tour springs to mind but it was actually Viv who revived this restrictive piece from the bottom of the dusty corners in your Grandmothers wardrobe and gave it a new life.
I have a new corset course planned for Saturday 14th August and will last for 6 saturdays, 10am-1pm each session…but unfortunately I think this will be the last one for a while. Now I want to focus on building up my label and try and find more work working within costume design for theatre, television and film. However I am sure I will run another one at some point but I now have other projects I am working on that I am hoping will take off very soon!
Also have a photo shoot booked for this weekend so I can finally get my catalogue of work up online! I will keep my blog updated!!














